Dragons And Derp

 



Derp & Dragons


The contemplation of translating the Worlds for B&B into a D&D rules format for   a wider audience. 


Would WotC (a subsidiary of Hasbro), current copyright holders of D&D accept any third party independently profiting from their property? 


Does it matter that they did not invent D&D which I have been playing since before they were born? Legally, no. 


US legislation states a game rules system cannot be copyrighted, only the words used to teach it can be copyrighted. 


The legal precedent says I can do it regardless of WotC fiercely protecting their property by ‘phrasing things just so’ (“aggressively pursue anyone infringing their copyright”) for the last few years to scare people away from creating independent content. 


My big deciding factor to this question is what would I do if a third party began profiting from products designed for my franchise independently of me? 


I would want the quality to be sufficient that I could put a Seal of Approval stamp on it, make it official and lease the license in some way so we can both mutually profit from an official product line for a game I invented and own. 


Does the third party have to play that game? No. 


Could I stop them from doing it? I would have to sue them for copyright infringement of use of my intellectual property without consent. This would only potentially work if I had previously registered the title as a trademark. 


Has this ever happened to me? Yes. 


My own RPG product has a third party currently reading and using my registered trademark and without my consent. His product is similar to mine and it occupies the same cultural space. He has even used the same title for an expansion pack as I used for an expansion pack. 


Am I upset and wealthy enough to sue the guy? 

This is variable. As my product expands it will become more of a problem. 


Have I attempted to discuss this with him honourably? 

Yes. He told me to piss off and blocked me. He is continuing to expand his product range using my registered trademark without my consent. 


Here are the receipts: 


LINKS (tba)


Should I allow the wolf of anger to consume the wolf of love within me? 




 




Altared States

c2023 Ordo Octopia. All Rights Reserved.



Spell-work is waves of intent.


Intention is energy. It is made of Attention focusing a mental-emotional grid empowered by a source energy. Often emotions and beliefs connect with the source energy to sustain the intentional grid. 




Altared States


The psychic splurge overspill of a person going crazy to control affects those around them, connected with them. 


We call it a net: it is a grid (a mental construct of things arranged in places in relation to each other) but it is floating and unstable. 


When a classic altar-mage places items on an altar in relation to each other we observe a system of references symbolising a world. 


Post-modern chaos magicians applied this same concept to associations beyond the classic altar framework and hermetic elements. They use personal references and often temporary associations. 


The grid is the arrangement of concepts which form the stable references of our world. A net is when a grid is cast and is in process of affecting others who will be affected by the new arrangement. 


Those who serve Freedom and require it to function reject and resent any slavery involved with others pinning them and structuring their world and life experiences for them without consent. It is against free will required to evolve. 


Thus, the aware universally reject chaos sorcerers and their machinations. 




Tabletop Role-Playing Games and Magickal Ritual


A game-board is an altar. The spell is the planned mission. The elements are the puzzles and locations to be progressed through as the spell is weaved. The story is the actual journey through the symbolic elements regardless of the planned mission. 


A good game-board is flexible and can sustain many diverse journeys. 


A good altar is flexible and can sustain many diverse spells. 


What we puzzle through on the device of a game-board is a process of focus of our attentions to set our grids. 


Thus, the play-session is to cast a net. This is tabletop roleplaying as spell-work. Once seen it cannot be unseen. 




How Do I Know This?


I have been unwilling target of a narcissistic abuser who self-identifies as “a Witch”. Who is in terms of D&D Alignment Chaotic Evil. 


One who frequently has a mental breakdown to the point of being accurately defined as unstable. Professionally diagnosed as Bipolar Disorder, Obsessive Compulsive Disorder, of which Oppositional Defiance Disorder is a component. 


As far as I am aware nobody has professionally diagnosed her as Histrionic & Malignant Narcissist, although to my experience that descriptor hits the nail on the head better than any other. 


Experience with this persons ‘psychotic thinking’ necessarily requires delving into those places by way of comprehending what it is we are dealing with here. This person is also psychic. 


This is where communicating with others about the reality of the experience takes us ‘Outside Of The Box’ in accurately describing what it is like dealing with Chaotic Evil Chaos Sorcerers, in the real world. 




See also:  Psychic Attack






Machination Is Not Machinery



In the old days, back when it all began, people had a thing called imagination. Then came the age of televised propaganda. As technology developed so did society, so too did culture. Gradually over generations The Imagination was whittled away by faster and more portable digital dopamine hits until those blessed with it became regarded social lepers. 


The only entertainment people have become capable of accepting is the same endlessly regurgitated routines which televised propaganda has deemed safe for their enjoyment. Anything outside of this is branded as potentially dangerous. It is shunned for being too weird. 


Back when it all began the people who enjoyed roleplaying games were deemed too weird for the general culture but they did it anyway. Now thanks to televised propaganda having finally absorbed the roleplaying hobby into mainstream after only half a century, what was too weird for the older generations is now considered acceptable. 


Unfortunately in 2023 those who are considered too weird for the new older generations are still considered too weird, are still shunned. 


This is why you have heard of the outdated, clunky and mechanical monstrosity which is D&D but have not heard of sleeker post-modern equivalents made by indie hobbyists who do not dominate the corporate marketplace and cultural sphere. 


Simultaneously the dumbing down of society means anything too different from the acceptable normalisation process of televised propaganda is regarded as irrelevant at best and at worst it is socially acceptable to scorn it. 


In the eighties was Satanic Panic over D&D 1st edition. That discrimination and prejudice has not gone away. It still targets the same demographic; those blessed with imagination and with intelligence to see through the restrictions of The Machine State. Outside-the-box free-thinkers which televised propaganda frequently casts into hero roles are in real life persecuted for being too different to accept. 


I’m not endorsing any morally-dubious extremist groups latching onto recent social movements in attempt to normalise themselves, such as has happened with the now-emerged LGBT movement which universally and rightly shuns TRIGGER WARNING the P word. 


I am simply talking directly about The Imagination and its role and impact in our lives.


For us it was therapeutic, coming-to-terms with whatever within us vs pressures from society beyond us. Finding a place to fit our emotions and express self-discovery into a world often unfathomable in its coercion conforming us all to apparently insane and contradictory delusions nevertheless accepted as normality. 


It used to be that roleplaying games were a safe-zone to explore taboo topics such as emotions and those considered anti-social by the televised propaganda machine such as originality. It used to be a fertile place to encourage and develop The Imagination for all involved. 


Now it’s not. Now the copyright owners who did not invent the concept of freeform storytelling which our prehistoric ancestors enjoyed for free while gathered around a campfire beneath the stars, have become cultural gatekeepers for what you do in your own house. 


Now people resonate with written texts created by machines, which have passed corporate safety tests to avoid being sued for endorsing the wrong thing. 


What people do not resonate with is humans blessed with intelligence and imagination. Genuine creatives. 


Back in the day, we would create and encourage genuine creativity around the tabletop in groups of developing friendship circles. It was fun. 


A GamesMaster would make up the story as he went along, using the players suggestions to bounce from. Railroading players into pre-created adventures was considered a mistake of mindless amateurs. Sometimes we did not even use dice. 


It was not ever about funding the fledgling rpg industry, which is now one of the largest growth industries in the western hemisphere after fast food and military weapons. 


We could argue that consumer communications devices has stagnated in its development at this time and that voice-activated AI will soon replace it all.


Will there be AI storytelling GamesMasters? 

Yes there will.


Will we pay a premium for doing what we used to do for free? 

Yes we will. 


Will we consider ourselves doing it the right way because of that? 

Yes we will. 


Will we have as much fun doing it that way? 

Arguable.


Will we be developing human skills doing it that way? 

No. We won’t.


Is Imagination still a valid thing for human consciousness, evolution and culture? 

Fuck Yes. 

Yes it is and more than ever. 



“Imagination is not imaginary.” Samuel Liddel MacGregor Mathers, founder of the Order of the Golden Dawn (pre-Crowley). 



Game Strategy

 


Game Strategy is a lifelong study. 


It relies on:


1 System Of Analysis 


2 Knowledge of Responses 


In storytelling roleplaying games the GameMaster uses these two items to keep the story progressing regardless of the random chaos which players throw at it. 


Best method is to use the Player innovation and weave it together with the Story arc. We use the symbolism of a rail-road to imagine the story arc as it would play out with no players at all (only NPCs) and with the players doing exactly what the perfect textbook responses should be in an ideal world which of course rarely happens. 


The GMs task is railroad the PCs onto the track? Subtly without overt denial of their imaginations and suggestions. 


‘Railroading’ is a GM fail when used as a method of operation. 


Occasionally ‘railroading’ occurs as a necessity to deal with by explaining the Players imagination takes the story outside the scope of the 1-shot capabilities although it is better suited for world-building in a Campaign. This is a lesser of two evils. 


The GMs task is to integrate the Players imaginations into the story to enhance the otherwise basic and boring adventure path. 


This is much preferable because it gives the players validation. It is the validation they are paying you to experience through the medium of fantasy adventure scenario. 




What Is D&D?



“What do you think Dungeons and Dragons is? What defines it for you? Is it the art? The settings? The rules? Besides the name what do you think makes it different than any other fantasy rpg? If you prefer D&D, why?” 

@RogueScholarMDC  (Twitter)



It was what they originally achieved; a feeling of living in a state of wonder captured in The Hobbit, LotR, when discovering it for the first time specifically the part where the Hobbits leave the Shire, as metaphor for going into the world beyond childhood and experiencing anticipatory taste of adulthood before you get there. Prolonging of disbelief. Tolkien connects this symbolically with entering Forests (through the Hedge, into Mirkwood, Fangorn). 


D&D 1st ed does the same with the Moria encodement as Players delve into the game.


The magic evoked by escapist fantasy which we fast become immune and hardened to by dealing with real life hardships and the mundanity of what used to be exciting. 


“Those were simpler times.” Or is it “Those were better times” I can’t recall


But D&D is multi-level. The challenges of overcoming traps and tricks, riddles and battles, getting the gold, defeating the nemesis, saving the world, drinking by a tavern hearth afterward and telling the tale… 2nd edition opens up the world to Arthurian mythologies, the lands…


That was my generation ‘back in the day’ before videogames and Willow. We had books for inspiration to share adventures with our friends. Source mythologies became Dragonlance and soon became Stormbringer. The original passion was lost into derivations and developments.


It became corporate during the 80s, lost its connection to that folk-origin feeling of creative people discovering a new wonderful thing for the first time. For a while it balanced a fine line between catering to a need for living in all the potential worlds, and capitalising (milking the cash cow). Pretty much what D&D became after the 70s energy was wrung dry out of it. 


D&D is now a political tool for pushing woke agendas by using drama to provoke reaction. 


And to charge $ for doing it.





“What do you most look forward to in ttrpgs?”


@SabrinaTeenWitch (Twitter)



That’s a good question. 


Storytelling challenging the Players & GM alike towards critical thinking. 


The feeling of having some amount of control in life (albeit a fictional one). 


Alleviation of boredom. 


Exploring consequences for actions.


It’s not the characters I care about levelling up so much as watching that happen in the players as result of game sessions. 


Being involved with developing an immersive universe.





RPG arena

  

The role-playing games industry has always been a place where two things are happening. 


The most important thing:


It is a place where people can develop their imagination and freethinking skills, emphasising and encouraging our ability to think for ourselves through a diverse range of situations. In many ways it is a safe practice zone for real life, exploring consequence and accountability. 


Older and experienced GamesMasters train people through the traditional ancient devices of storytelling and game mechanics in motivation-based decision-making processes which require and develop clarity of thinking and sometimes morality checks. 


The other thing occurring is: dark triad trait controllers enjoying the power they wield over a group of zombies who they can railroad for the enjoyment of all, some more than others. 


The mechanics of subDom from BDSM culture can be overlaid on the gathering of gamers for sessions exploring scenes. In many cases the same language is used in both cultures.


As ttrpg* is generally associated as a kids game, not so many people are confident (or experienced) to publicly discuss about that. 


Despite which the demographic of post-millennial ttrpg associated sales is exponentially within the 30-50 age range, predominantly white men. I have not the data for pre-millennial sales to compare. It is probable the same individuals buying ttrpg stuff as kids are still the same individuals buying ttrpg stuff as adults. 



*ttrpg ‘table-top role-playing games’, including both pen&paper games and miniature war-games (which often overlap). 

Both involve “the rolling of the dice” indicating and symbolising a risk element involving chance and invoking fate. 



Orcs & Trolls

  

The new copyright owner does not get to tell me I’m wrong for playing the original game how it was originally intended to be played by the original creators. 


An Orc is a monster. Half-Orcs exist only because monsters raped human women. How are they genetically compatible? Orcs used to be Humans before they became monsters. The source material describing Orcs explains that. 


Monsters symbolising the very worst qualities of ourselves gives us an opportunity to eject them. Mythology simultaneously warns and guides us. Our ancestors were wise beyond our insight. 


The world was not as safe as it is now. Forests and caves of Europe hid uncivilised demi-human murderers for countless generations. 


A part of our passion for roleplaying games is epigenetic trauma-healing of collective-consciousness. It’s less than a century since ww1 ww2. Perhaps why guys like #ttrpg battle simulators. 




—-



The delusion that it is okay for them to abuse somebody so long as the general belief is that person is an abuser who deserves it. Inventing, lying, fabricating evidence and manipulating events to justify the targeted abuse. Group reinforcement from an echo-chamber who use the degradation of their target in attempt to elevate themselves above the very behaviour they are themselves doing but blaming the target for. 





Castle Cult Casino

 


The Castle is the Dice


It’s a casino.

You gamble your life every time you go in there.

It is run by a cult.

In that there is an enigmatic yet mysterious figurehead, an inner circle, an outer circle, then everybody else. This pyramid hierarchy system is simple. 

The everybody else category of people are generally fleeced for everything they have whenever they come into the castle.

Yet, somehow, if they leave, they leave with a smile on their face, feeling satisfied and planning to return. 

‘If’ they leave is a reminder that there are dungeons below the castle. The denizens of said dungeons are a tradable commodity with the everybody else.







There are six possible directions in or out of any room. Seven if you use magic (which requires power ups). 


Dealing With A Door

A door is a riddle, a puzzle, a portal. It’s all good and easy if the door is open. If not a way must be found to persuade it to open. This may be use of an appropriate key, appropriately appropriated. It may be the uttering of an enchanting mouth noise.


At The Gaming Table

The first thing you should notice is the floor is chequerboard. The room is the gaming table. Astute travellers will question where the pieces are. Wizards will ponder the rules, which is of course what makes them wizards. 

There may indeed be a symbolic wooden tables and benches in the centre or at the side or one end of a room. Whatever is upon it is also symbolic.

A banquet feast means you are eating the food of the place, taking its energy into yourself. While this sustenance may be nutritious, or poisonous, it has the effect of imbuing, the energy of the place into you. Snacks are available to ensure this continues. 


The Rules


Rule One


The more complicated a system is, the more potential for confusion, error and manipulation, there is within that system. 


Rule Two


Every occurrence of a variable increases complexity of the system. 

Therefore it increases potential for confusion, error or manipulation. 

Variables add complexity. Complexity is defined in terms of variables. 


Rule Three


Assumption creates deviation, complexity, variation. 

Nothing is ever so complicated than preconceptions. 

By this, the visitor exposes all. 




*Extrapolation of Rule Two;


There is flow (yin) and there is gate (exchange). 

Gate is a variable. 

Gate either: splits flow, changes state or direction of flow, streamlines two into one, makes more or less complicated (distillation / derivation). 

Gate is alchemical. 

An example is a dice roll. 



TBC


I am writing this blog entry as the words and ideas come to me in my spare time for the sake of it. 


This concept is intentionally fully compatible with The Infinite Castle supplement for Brains&Brawn RPG, both available from DriveThruRPG. B&B and TheInfiniteCastle are copyright Ordo Octopia. 

The Castle Is The Dice  is also compatible with the open-license free-to-all SLOP game system. The idea cane from a randomly generated AI art picture used to illustrate SLOPs (the illustration with four characters, each representing an element, each representing a statistic from that game system).





SLOP


Yes, I grew up on 80s video games as a kid.

You need 3 stats: 

lives, speed and oxygen. 

Also power-ups. 

You need 4 stats. 

And magic. 

You need 5 stats. 

Can’t we use power-ups for magic?

We need 4 stats. 

SLOP

Speed Lives Oxygen Power

Sorted.


Applying this to role-play game system, I would be tempted to use a scale of 1 to 5 which fit snugly with the D6-1 or alternatively, D6, where rolling six is a massive power up that gives you another dice to roll.


Fire = Action = Speed

Earth = Body = Lives

Air = Mind = Oxygen

Water = Emotion = Power 


It may be imperfect but when you’ve only got four statistics to do everything with its not bad.

Oxygen is valuable if you live in space or go underwater. Or delve into a stinky cave where the wind never blows.


Staying true to the video game genre, power ups are not innate, they come from discovering them in the environment or nabbing them from other characters.


Your character starts with 1 Power point. 

One PowerPoint is worth one D6. 

As we are using oxygen for intelligence because it relates to mind in the hermetic tradition of alchemy, the first three stats; speed, lives, oxygen, define your characters abilities.

You get nine points to arrange around those three stats. 

Each stat must have at least one because to have zero in any of the means you’re dead. Not unconscious; dead. You can have no more than five points per stat, the maximum under normal conditions.

So it is possible you can assign five points to one stat and two points to two of the other stats. 225. Or 234. Or 333. Try not to be boring. 

To test any stat against yourself, roll 1D6 and get equal or less than the stat rate. 

To compare any stat competitively against somebody else, roll 1D6 and add the relevant stat rate.








RPGcults



The role-playing games culture, communities and industry has always been a place where two things are happening. 


The most important thing:

It is a place where people can develop their imagination and freethinking skills, emphasising and encouraging our ability to think for ourselves through a diverse range of situations. In many ways it is a safe practice zone for real life, exploring consequence and accountability. 


Older and experienced GamesMasters train people through the traditional ancient devices of storytelling and game mechanics in motivation-based decision-making processes which require and develop clarity of thinking and sometimes morality checks. 


The other thing occurring is: dark triad trait controllers enjoying the power they wield over a group of zombies who they can railroad for the enjoyment of all, some more than others. 


The mechanics of subDom from BDSM culture can be overlaid on the gathering of gamers for sessions exploring scenes. In many cases the same language is used in both cultures.


As ttrpg* is generally associated as a kids game, not so many people are confident (or experienced) to publicly discuss about that. 


Despite which the demographic of post-millennial ttrpg associated sales is exponentially within the 30-50 age range, predominantly white men. I have not the data for pre-millennial sales to compare. It is probable the same individuals buying ttrpg stuff as kids are still the same individuals buying ttrpg stuff as adults. 



*ttrpg ‘table-top role-playing games’, including both pen&paper games and miniature war-games (which often overlap). 

Both involve “the rolling of the dice” indicating and symbolising a risk element involving chance and invoking fate. 



“Zombies cannot think clearly. But they can hate.”


The delusion that it is okay for them to abuse somebody so long as the general belief is that person is an abuser who deserves it. 


Inventing, lying, fabricating evidence and manipulating events to justify the targeted abuse. Group reinforcement from an echo-chamber who use the degradation of their target in attempt to elevate themselves above the very behaviour they are themselves doing but blaming the target for. 


Although not literally the enactment of parlour-games in the sens du boudoir, the non-physical elements of BDSM, emotional and mental cruelty and deviations, most certainly is extant.